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The decoration is still with leaves5 Il primo passo verso il Rinascimento fatto da Don Lorenzo Monaco (operoso dal 1390 al 1424), monaco a Santa Maria degli Angeli ma che lasci il monastero per una bottega propria. Giovanni Evangelista alla c.33 del Corale 1, datato 1396, modellato dalla luce e si protende nello spazio verso di noi, con il libro in prospettiva e l'aquila che gli fa da leggio.Questa proiezione in avanti nello spazio sar sviluppata pi di due secoli dopo con il Barocco.At first three great artists come to our attention: don Silvestro dei Gherarducci, Don Simone Camoldolese and Don Lorenzo Monaco, all three Camoldolese monks.

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I need to explain that book illuminating is very costly, and that most of the illuminators were commissioned by the Florentine monasteries and cathedral.Another interesting artist is Don Simone Camaldolese, who came from Siena and worked in Florence from 1375 to 1398.He painted Chorale 39, now in the Laurentian Library, in 1381 for the monastery of Saint Pancras and signed its colophon. 1v, the artist keeps the unity of the page by flattening the text as well as the border decoration.This projection into space is a forerunner of the Baroque period.

Already characteristic of the Renaissance is the psychological rendering of the expression in the beautiful face of the saint.

Tre grandi miniatori emergono nel tardo Trecento: Don Silvestro dei Gherarducci, Don Simone Camaldolese e Don Lorenzo Monaco - tutti tre monaci camaldolesi.



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