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The barrel is a little thicker than that of the Nikon 50mm f/1.4G, and is just as wide as the Nikon 85mm f/1.4G, but I still wouldn’t say that it’s a large lens by any means.

Since I shoot both Canon and Nikon, I was able to make the comparison to the Canon 50mm f/1.2L lens, which is almost identical in size to, only much lighter.

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The sharpness slowly fades off towards the edges, which only helps give that 3D look.

If I want to have more in focus, I can bump my aperture up and then this lens starts to become pretty sharp edge to edge.

After several paid shoots, one wedding, and close to 3,000 photos taken with it, I find myself falling in love with this lens more and more. I was going to wait and replace my Sigma 50mm f/1.4 with the newer one, but even though it’s being compared to the Zeiss, I went with the Nikon 58mm 1.4G anyway. It’s built very similarly to the other AF-S prime lenses, like the Nikon 50mm f/1.8G and Nikon 85mm f/1.4G.

It’s lightweight and feels like I could crush it in my hand if I tried. It personally feels nicely balanced on my Nikon D800E and seems to be the perfect fit for my Nikon Df, which is where it has stayed since purchasing it.

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I got so frustrated with its performance, and its unsharp images, that I switched it out with my trustworthy Sigma 50mm f/1.4. For me, the flaws are what I love so much about it. No, it’s not crazy sharp wide open, but I’m willing to give that up for it’s extremely shallow depth of field, subject separation, and awesome bokeh.