Dating copeland spode china Hot or not free video camchat
Copeland traces the different versions of Willow produced by Spode and provides a newly added appendix that reproduces, in facsimile, the 1849 publication of the Willow pattern’s origin.
Originally published in 1980, this expanded third edition of Copeland’s volume has undergone significant revisions from its first edition.
For three patterns (Two Temples, Long Bridge, and Buffalo), Copeland provides illustrated, analytical charts comparing how different manufacturers depicted specific design elements in these patterns.
He cautions, however, that it is virtually impossible to attribute unmarked ceramics to specific manufacturers based solely on the pattern because potters both lent and sold used, engraved copper plates.
It is regrettable that the decision was made not to integrate the research into the original text.
The volume’s appendices provide a variety of information, including figures on tea importation, recipes for cobalt, date ranges for printed and impressed Spode marks, and typical Chinese-influenced border designs.
214 pages with nine appendices, glossary, terminology, references, and index. For much of the eighteenth century, consumers unable to afford expensive Chinese porcelains contented themselves with painted renditions of Chinese-style designs on less costly ceramics like delft and the later refined earthenwares.
The volume includes four hundred black-and-white illustrations and photographs and fifty color plates, forty-six of which were added for the third edition.
Arranged by pattern, the table provides data on Spode’s factory pattern number, vessel shapes, body fabric, print color, and decorative detailing.
Although the chapter title informs the reader that the recorded ceramics date to the late nineteenth and early twentieth centuries, no dating information is provided for the specific patterns.
One chapter, for example, deals with patterns for which there are no known Chinese prototypes.
Basic defining characteristics are provided for each pattern, as well as discussions on design variations, alternate pattern names, and production dates.
Some of the earliest printed patterns, such as Mandarin, Buffalo, and Two Temples, were copied directly from Chinese porcelain motifs.